F. Philip Barash works to shape more vibrant and just places.

Through journalistic and narrative writing, I expose stories about the changing American landscape. By facilitating urban planning projects, I contribute to shared places and social infrastructures of communities. And in my public curatorial and teaching practice, I engage contemporary issues that affect the built and natural environments.

How White City became Black space: notes on Jackson Park
Landscape, Equity, Olmsted, Writing Philip Barash Landscape, Equity, Olmsted, Writing Philip Barash

How White City became Black space: notes on Jackson Park

President Andrew Jackson’s legacy—defense of slavery, hostility to abolitionism, violent removal of indigenous tribes—is the exact opposite of the ideals that the park, once known as Lake Park, was designed to demonstrate. And yet it is also a smirking, swaggering irony, for Jackson Park today is no more a tribute to Jackson than a monumental middle finger.

Read More
In public: notes from Beacon Street
Writing, Landscape, Olmsted, Equity Philip Barash Writing, Landscape, Olmsted, Equity Philip Barash

In public: notes from Beacon Street

Times of crisis can have the quality of deepening our perceptions, of revealing that which awaits just beneath the surface. The Emerald Necklace is social mobility infrastructure guised as green space. Beacon Street is a social space hidden in mobility infrastructure. To borrow a phrase from a different radical moment, sous les pavés, le parc.

Read More
Open House Chicago: citywide festival of architecture and community

Open House Chicago: citywide festival of architecture and community

A free-of-charge festival of architecture and community spaces, Open House Chicago is a highlight of the city’s calendar. The Chicago event reinvented the traditional festival model by partnering with community-based organizations on planning, governance, and public education.

Read More
A truck show of the non-monster variety
Writing, Design, Equity Philip Barash Writing, Design, Equity Philip Barash

A truck show of the non-monster variety

Below a sign reading “What makes a community great?” answers were densely scribbled in different hands. I asked a high school junior named Marcus Pelt if he'd gleaned any insights. He pointed to a note that said “loving neighbors,” and I thought that it wasn't a bad idea for either a South Side neighborhood or a makeshift, temporary, ragtag caravan of designers.

Read More